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Viennaslide-06872143 Venedig, Biennale 2021, Giardini, Russischer Pavillon // Venice, Biennale 2021, Giardini, Russian Pavillon
 
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Viennaslide-06872144 Oræ is a Latin word synonymous with borders, designating the boundary of something, and figuratively speaking its ‘beginning’. If globalised metropolises have been the favourite playground of the twentieth century, borders are the laboratory of the political, social, and economic phenomena of the twenty-first century. Border inhabitants, left to their own devices, have been thrust into the contemporary world in its most violent form of oppression. The territory of the border lacks a political project, and to carry out this project we asked border inhabitants to describe and imagine their living space. A collective intelligence took form. Oræ is a project of a territory; both imaginary and real, its place is the borders, its actors those living within, its political and poetic programme inhabiting the contemporary world starting from its margins. (https://www.labiennale.org/en/architecture/2021/switzerland)
 
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Viennaslide-06872145 Oræ is a Latin word synonymous with borders, designating the boundary of something, and figuratively speaking its ‘beginning’. If globalised metropolises have been the favourite playground of the twentieth century, borders are the laboratory of the political, social, and economic phenomena of the twenty-first century. Border inhabitants, left to their own devices, have been thrust into the contemporary world in its most violent form of oppression. The territory of the border lacks a political project, and to carry out this project we asked border inhabitants to describe and imagine their living space. A collective intelligence took form. Oræ is a project of a territory; both imaginary and real, its place is the borders, its actors those living within, its political and poetic programme inhabiting the contemporary world starting from its margins. (https://www.labiennale.org/en/architecture/2021/switzerland)
 
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Viennaslide-06872146 Oræ is a Latin word synonymous with borders, designating the boundary of something, and figuratively speaking its ‘beginning’. If globalised metropolises have been the favourite playground of the twentieth century, borders are the laboratory of the political, social, and economic phenomena of the twenty-first century. Border inhabitants, left to their own devices, have been thrust into the contemporary world in its most violent form of oppression. The territory of the border lacks a political project, and to carry out this project we asked border inhabitants to describe and imagine their living space. A collective intelligence took form. Oræ is a project of a territory; both imaginary and real, its place is the borders, its actors those living within, its political and poetic programme inhabiting the contemporary world starting from its margins. (https://www.labiennale.org/en/architecture/2021/switzerland)
 
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Viennaslide-06872147 The exhibition explores possible futures of Bor, a mining town in eastern Serbia. The fate of the town since its emergence at the beginning of the twentieth century has been subordinated to the changeable courses of its basic economy. In everyday language, the residents of Bor classify the spaces of the town through the existing seven kilometres, counting from the open pit mine Bor as a starting point – ‘zero kilometre’ or ‘the end of the world’. In this sense, ‘eight kilometres’ represents a qualitatively new layer of the town, suggesting directions of its further development beyond the mining industry. The exhibition recognises the capacity of architects to provoke a debate about the present and the future of Bor, and possibly other similar towns.
 
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Viennaslide-06872148 The exhibition explores possible futures of Bor, a mining town in eastern Serbia. The fate of the town since its emergence at the beginning of the twentieth century has been subordinated to the changeable courses of its basic economy. In everyday language, the residents of Bor classify the spaces of the town through the existing seven kilometres, counting from the open pit mine Bor as a starting point – ‘zero kilometre’ or ‘the end of the world’. In this sense, ‘eight kilometres’ represents a qualitatively new layer of the town, suggesting directions of its further development beyond the mining industry. The exhibition recognises the capacity of architects to provoke a debate about the present and the future of Bor, and possibly other similar towns.
 
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Viennaslide-06872149 'Uncertainty': Interpreted as the freedom to act in unexpected ways and to generate opportunities within the creative process, uncertainty is an optimistic solution to the complex problems that demand answers from more than one actor at a time. Uncertainty explores the answers to the question How will we live together? from the perspective of social input, accomplished through crossdisciplinary processes. The exhibition celebrates the architectural practices that go beyond the usual framework and the architects who implement innovative strategies for social impact that redefine the core of the discipline.
 
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Viennaslide-06872150 'Uncertainty': Interpreted as the freedom to act in unexpected ways and to generate opportunities within the creative process, uncertainty is an optimistic solution to the complex problems that demand answers from more than one actor at a time. Uncertainty explores the answers to the question How will we live together? from the perspective of social input, accomplished through crossdisciplinary processes. The exhibition celebrates the architectural practices that go beyond the usual framework and the architects who implement innovative strategies for social impact that redefine the core of the discipline.
 
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Viennaslide-06872151 'Uncertainty': Interpreted as the freedom to act in unexpected ways and to generate opportunities within the creative process, uncertainty is an optimistic solution to the complex problems that demand answers from more than one actor at a time. Uncertainty explores the answers to the question How will we live together? from the perspective of social input, accomplished through crossdisciplinary processes. The exhibition celebrates the architectural practices that go beyond the usual framework and the architects who implement innovative strategies for social impact that redefine the core of the discipline.
 
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Viennaslide-06872152 Venedig, Biennale 2021, Giardini // Venice, Biennale 2021, Giardini
 
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Viennaslide-06872153 Venedig, Biennale 2021, Giardini, Ungarischer Pavillon // Venice, Biennale 2021, Giardini, Hungarian Pavillon
 
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Viennaslide-06872154 Venedig, Biennale 2021, Giardini, Ungarischer Pavillon // Venice, Biennale 2021, Giardini, Hungarian Pavillon
 
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Viennaslide-06872155 Venedig, Biennale 2021, Giardini, Ungarischer Pavillon // Venice, Biennale 2021, Giardini, Hungarian Pavillon
 
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Viennaslide-06872156 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
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Viennaslide-06872157 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
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Viennaslide-06872158 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
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Viennaslide-06872159 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
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Viennaslide-06872160 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
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Viennaslide-06872161 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
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Viennaslide-06872162 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
Viennaslide-06872162
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Viennaslide-06872163 American architects Paul Andersen and Paul Preissner have built a four-storey pine frame in front of the US pavilion at the Venice Architecture Biennale. Called American Framing, the pavilion project was commissioned by the University of Illinois Chicago and explores the history of softwood as a building material in America. (https://www.dezeen.com/2021/05/20/us-pavilion-american-framing-venice-architecture-biennale-2021/)
 
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Viennaslide-06872164 Venedig, Biennale 2021, Arsenale // Venice, Biennale 2021, Arsenale
 
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Viennaslide-06872165 The Latvian Pavilion installation focuses on the contradictory nature of our relationship with technology.
 
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Viennaslide-06872166 Achim Menges, Jan Knippers (ICD University of Stuttgart and ITKE University of Stuttgart, Germany) Material Culture: Rethinking the Physical Substrate for Living Together. 2021 1:1 material prototype, glass fibre and carbon fibre composites
 
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Viennaslide-06872167 Achim Menges, Jan Knippers (ICD University of Stuttgart and ITKE University of Stuttgart, Germany) Material Culture: Rethinking the Physical Substrate for Living Together. 2021 1:1 material prototype, glass fibre and carbon fibre composites
 
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Viennaslide-06872168 Achim Menges, Jan Knippers (ICD University of Stuttgart and ITKE University of Stuttgart, Germany) Material Culture: Rethinking the Physical Substrate for Living Together. 2021 1:1 material prototype, glass fibre and carbon fibre composites
 
Viennaslide-06872168
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Viennaslide-06872169 Achim Menges, Jan Knippers (ICD University of Stuttgart and ITKE University of Stuttgart, Germany) Material Culture: Rethinking the Physical Substrate for Living Together. 2021 1:1 material prototype, glass fibre and carbon fibre composites
 
Viennaslide-06872169
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Viennaslide-06872170 Venedig, Biennale 2021, Arsenale, FERNANDA CANALES, After the House, Privacy in a Shared World // Venice, Biennale 2021, Arsenale, FERNANDA CANALES, After the House, Privacy in a Shared World
 
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Viennaslide-06872171 Mapuche comes from Mapu (Earth) and Che (People). Mapuche and Chileans have been in conflict since the formation of the Republic, and at its core there has always been the question of the land. In recent times, the conflict’s violence has escalated. So, how will the Mapuche people and Chileans live together? This project explores an alternative path to violence. Sitting at this table are some of the incumbents: a Mapuche territorial organization and a Chilean forestry company. Both live in the same territory; both intend to remain there, and both understand that confrontation has not solved the problem. A possible rapprochement process is at least two-fold: a condition reflected in this installation organized as Künü (places to know each other) and Koyaü-we (places to parlay).
 
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Viennaslide-06872172 Mapuche comes from Mapu (Earth) and Che (People). Mapuche and Chileans have been in conflict since the formation of the Republic, and at its core there has always been the question of the land. In recent times, the conflict’s violence has escalated. So, how will the Mapuche people and Chileans live together? This project explores an alternative path to violence. Sitting at this table are some of the incumbents: a Mapuche territorial organization and a Chilean forestry company. Both live in the same territory; both intend to remain there, and both understand that confrontation has not solved the problem. A possible rapprochement process is at least two-fold: a condition reflected in this installation organized as Künü (places to know each other) and Koyaü-we (places to parlay).
 
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Viennaslide-06872173 Mapuche comes from Mapu (Earth) and Che (People). Mapuche and Chileans have been in conflict since the formation of the Republic, and at its core there has always been the question of the land. In recent times, the conflict’s violence has escalated. So, how will the Mapuche people and Chileans live together? This project explores an alternative path to violence. Sitting at this table are some of the incumbents: a Mapuche territorial organization and a Chilean forestry company. Both live in the same territory; both intend to remain there, and both understand that confrontation has not solved the problem. A possible rapprochement process is at least two-fold: a condition reflected in this installation organized as Künü (places to know each other) and Koyaü-we (places to parlay).
 
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Viennaslide-06872174 Mapuche comes from Mapu (Earth) and Che (People). Mapuche and Chileans have been in conflict since the formation of the Republic, and at its core there has always been the question of the land. In recent times, the conflict’s violence has escalated. So, how will the Mapuche people and Chileans live together? This project explores an alternative path to violence. Sitting at this table are some of the incumbents: a Mapuche territorial organization and a Chilean forestry company. Both live in the same territory; both intend to remain there, and both understand that confrontation has not solved the problem. A possible rapprochement process is at least two-fold: a condition reflected in this installation organized as Künü (places to know each other) and Koyaü-we (places to parlay).
 
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Viennaslide-06872175 Mapuche comes from Mapu (Earth) and Che (People). Mapuche and Chileans have been in conflict since the formation of the Republic, and at its core there has always been the question of the land. In recent times, the conflict’s violence has escalated. So, how will the Mapuche people and Chileans live together? This project explores an alternative path to violence. Sitting at this table are some of the incumbents: a Mapuche territorial organization and a Chilean forestry company. Both live in the same territory; both intend to remain there, and both understand that confrontation has not solved the problem. A possible rapprochement process is at least two-fold: a condition reflected in this installation organized as Künü (places to know each other) and Koyaü-we (places to parlay).
 
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Viennaslide-06872176 Venedig, Biennale 2021, Arsenale, Azra Aksamija, Silk Road Works // Venice, Biennale 2021, Arsenale, Azra Aksamija, Silk Road Works
 
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Viennaslide-06872177 Venedig, Biennale 2021, Arsenale, Azra Aksamija, Silk Road Works // Venice, Biennale 2021, Arsenale, Azra Aksamija, Silk Road Works
 
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Viennaslide-06872178 EcoLogicStudio has designed the Bit.Bio.Bot exhibition at the Venice Architecture Biennale, which invites visitors to taste freshly harvested algae and consider growing it in their own homes. Combining architecture and microbiology, the exhibition shows how city dwellers could purify the air, sequester carbon, gain a sustainable food source and enjoy a greater connection to nature by cultivating their own algae.
 
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Viennaslide-06872179 EcoLogicStudio has designed the Bit.Bio.Bot exhibition at the Venice Architecture Biennale, which invites visitors to taste freshly harvested algae and consider growing it in their own homes. Combining architecture and microbiology, the exhibition shows how city dwellers could purify the air, sequester carbon, gain a sustainable food source and enjoy a greater connection to nature by cultivating their own algae.
 
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Viennaslide-06872180 Danish architecture studio EFFEKT has planted hundreds of pine seedlings around seven architectural models at the Venice Architecture Biennale using a hydroponics system that's remote-controlled from Copenhagen. The installation is called Ego to Eco and responds to the biennale's theme, a question posed by the Venice Architecture Biennale's 2021 curator Hashim Sarkis: How will we live together?
 
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Viennaslide-06872181 Danish architecture studio EFFEKT has planted hundreds of pine seedlings around seven architectural models at the Venice Architecture Biennale using a hydroponics system that's remote-controlled from Copenhagen. The installation is called Ego to Eco and responds to the biennale's theme, a question posed by the Venice Architecture Biennale's 2021 curator Hashim Sarkis: How will we live together?
 
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Viennaslide-06872182 Danish architecture studio EFFEKT has planted hundreds of pine seedlings around seven architectural models at the Venice Architecture Biennale using a hydroponics system that's remote-controlled from Copenhagen. The installation is called Ego to Eco and responds to the biennale's theme, a question posed by the Venice Architecture Biennale's 2021 curator Hashim Sarkis: How will we live together?
 
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Viennaslide-06872183 Heavy Duty Love is a mental health prop from a future yet to happen; a domestic, sporty device sandwiching the body between layers of squishy stuff, normally used in camping or construction. If we do head toward a future where life is designed from scratch, would we seek new types of intimacy?
 
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Viennaslide-06872184 Heavy Duty Love is a mental health prop from a future yet to happen; a domestic, sporty device sandwiching the body between layers of squishy stuff, normally used in camping or construction. If we do head toward a future where life is designed from scratch, would we seek new types of intimacy?
 
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Viennaslide-06872185 Putting on display the recently completed Stone Garden tower in Beirut, this installation portrays the capacity of architecture to act as a healing tool and be an active player in building resilience at times of crisis.
 
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Viennaslide-06872186 Putting on display the recently completed Stone Garden tower in Beirut, this installation portrays the capacity of architecture to act as a healing tool and be an active player in building resilience at times of crisis.
 
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Viennaslide-06872187 Venedig, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation // Venice, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation
 
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Viennaslide-06872188 Venedig, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation // Venice, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation
 
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Viennaslide-06872189 Venedig, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation // Venice, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation
 
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Viennaslide-06872190 Venedig, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation // Venice, Biennale 2021, Arsenale, Peju Alatise, Alasiri: Doors for Concealment or Revelation
 
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Viennaslide-06872191 Mutual support is a mode of self-organisation and collaboration for communities to build resilience and to support each other through adversity or crisis, such as the changing seasons, natural disasters, and armed conflict. It exists in many forms around the world and its principles are rooted in empathy, care, and reciprocity. The Norwegian Dugnad, Brazilian Mutirão, and the Filipino Bayanihan are specific expressions of mutual support systems. Structures of Mutual Support is a critical exploration and enactment of mutual support as a method of architectural praxis that engages issues of resilience, transformation, climate change, and structures of power and resistance.
 
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Viennaslide-06872192 Mutual support is a mode of self-organisation and collaboration for communities to build resilience and to support each other through adversity or crisis, such as the changing seasons, natural disasters, and armed conflict. It exists in many forms around the world and its principles are rooted in empathy, care, and reciprocity. The Norwegian Dugnad, Brazilian Mutirão, and the Filipino Bayanihan are specific expressions of mutual support systems. Structures of Mutual Support is a critical exploration and enactment of mutual support as a method of architectural praxis that engages issues of resilience, transformation, climate change, and structures of power and resistance.
 
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Viennaslide-06872193 Mutual support is a mode of self-organisation and collaboration for communities to build resilience and to support each other through adversity or crisis, such as the changing seasons, natural disasters, and armed conflict. It exists in many forms around the world and its principles are rooted in empathy, care, and reciprocity. The Norwegian Dugnad, Brazilian Mutirão, and the Filipino Bayanihan are specific expressions of mutual support systems. Structures of Mutual Support is a critical exploration and enactment of mutual support as a method of architectural praxis that engages issues of resilience, transformation, climate change, and structures of power and resistance.
 
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Viennaslide-06872194 In light of the current political crisis around climate change, what can architecture contribute towards a new planetary imaginary of our contemporary environment? Architecture as Measure positions climate change as a cultural and political idea that requires a renewed architectural environmental imagination. The exhibition juxtaposes the seemingly mundane aspects of architectural construction in Turkey with their respective planetary counterparts— such as geographies of material extraction, supply chains, maintenance and care. Through storytelling, dioramas, and research, Architecture as Measure suggests anotherroute for architecture’s relation to the world, in which it is more of an agent than a mere respondent.
 
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Viennaslide-06872195 In light of the current political crisis around climate change, what can architecture contribute towards a new planetary imaginary of our contemporary environment? Architecture as Measure positions climate change as a cultural and political idea that requires a renewed architectural environmental imagination. The exhibition juxtaposes the seemingly mundane aspects of architectural construction in Turkey with their respective planetary counterparts— such as geographies of material extraction, supply chains, maintenance and care. Through storytelling, dioramas, and research, Architecture as Measure suggests anotherroute for architecture’s relation to the world, in which it is more of an agent than a mere respondent.
 
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Viennaslide-06872196 In light of the current political crisis around climate change, what can architecture contribute towards a new planetary imaginary of our contemporary environment? Architecture as Measure positions climate change as a cultural and political idea that requires a renewed architectural environmental imagination. The exhibition juxtaposes the seemingly mundane aspects of architectural construction in Turkey with their respective planetary counterparts— such as geographies of material extraction, supply chains, maintenance and care. Through storytelling, dioramas, and research, Architecture as Measure suggests anotherroute for architecture’s relation to the world, in which it is more of an agent than a mere respondent.
 
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Viennaslide-06872197 Variations on a Bird Cage is an exploration of the objects through which humans formalize their encounters with birds—animals which, along with people, have most contributed to the globalization of nature, inhabiting in every culture a place both physical and symbolic. Combining historical research and new architectural types, working prototypes and new materials, the installation spatializes the relation between bodies/species through a series of intermediary objects, translating the actions of retreating, advancing, abandoning, transforming, domesticating, feeding and playing, into a performative object-space.
 
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Viennaslide-06872198 Variations on a Bird Cage is an exploration of the objects through which humans formalize their encounters with birds—animals which, along with people, have most contributed to the globalization of nature, inhabiting in every culture a place both physical and symbolic. Combining historical research and new architectural types, working prototypes and new materials, the installation spatializes the relation between bodies/species through a series of intermediary objects, translating the actions of retreating, advancing, abandoning, transforming, domesticating, feeding and playing, into a performative object-space.
 
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Viennaslide-06872201 Venedig, Biennale 2022, Giardini, Cosima von Bonin // Venice, Biennale 2022, Giardini, Cosima von Bonin
 
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Viennaslide-06872202 Venedig, Biennale 2022, Giardini, Cosima von Bonin // Venice, Biennale 2022, Giardini, Cosima von Bonin
 
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Viennaslide-06872203 Venedig, Biennale 2022, Giardini, Cosima von Bonin, Hermit Crab (Glass Version) Ein Paar Krabbenscheren in einem Zementmischer // Venice, Biennale 2022, Giardini, Cosima von Bonin, Hermit Crab (Glass Version)
 
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Viennaslide-06872204 Venedig, Biennale 2022, Giardini // Venice, Biennale 2022, Giardini
 
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Viennaslide-06872205 Venedig, Biennale 2022, Giardini, Piazza Ucraina // Venice, Biennale 2022, Giardini, Piazza Ucraina
 
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Viennaslide-06872206 Venedig, Biennale 2022, Giardini, Piazza Ucraina // Venice, Biennale 2022, Giardini, Piazza Ucraina
 
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Viennaslide-06872207 Venedig, Biennale 2022, Giardini, Piazza Ucraina // Venice, Biennale 2022, Giardini, Piazza Ucraina
 
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Viennaslide-06872208 Venedig, Biennale 2022, Giardini, Piazza Ucraina // Venice, Biennale 2022, Giardini, Piazza Ucraina
 
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Viennaslide-06872209 Venedig, Biennale 2022, Giardini, Piazza Ucraina // Venice, Biennale 2022, Giardini, Piazza Ucraina
 
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Viennaslide-06872210 Venedig, Biennale 2022, Giardini, Schweizer Pavillon, Latifa Echakhch: The Concert // Venice, Biennale 2022, Giardini, Swiss Pavillon, Latifa Echakhch: The Concert
 
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Viennaslide-06872211 Venedig, Biennale 2022, Giardini, Schweizer Pavillon, Latifa Echakhch: The Concert // Venice, Biennale 2022, Giardini, Swiss Pavillon, Latifa Echakhch: The Concert
 
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Viennaslide-06872212 Venedig, Biennale 2022, Giardini, Schweizer Pavillon, Latifa Echakhch: The Concert // Venice, Biennale 2022, Giardini, Swiss Pavillon, Latifa Echakhch: The Concert
 
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Viennaslide-06872213 Venedig, Biennale 2022, Giardini, Schweizer Pavillon, Latifa Echakhch: The Concert // Venice, Biennale 2022, Giardini, Swiss Pavillon, Latifa Echakhch: The Concert
 
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Viennaslide-06872214 Venedig, Biennale 2022, Giardini, Dänischer Pavillon, We Walked the Earth // Venice, Biennale 2022, Giardini, Danish Pavillon, We Walked the Earth
 
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Viennaslide-06872215 Venedig, Biennale 2022, Giardini, Dänischer Pavillon, We Walked the Earth // Venice, Biennale 2022, Giardini, Danish Pavillon, We Walked the Earth
 
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Viennaslide-06872216 Venedig, Biennale 2022, Giardini, Dänischer Pavillon, We Walked the Earth // Venice, Biennale 2022, Giardini, Danish Pavillon, We Walked the Earth
 
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Viennaslide-06872217 Venedig, Biennale 2022, Giardini, geschlossener russischer Pavillon // Venice, Biennale 2022, Giardini, Closed Russian Pavillon
 
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Viennaslide-06872218 Venedig, Biennale 2022, Giardini, Pavillon von Korea, Yunchul Kim: Gyre // Venice, Biennale 2022, Giardini, Korean Pavillon, Yunchul Kim: Gyre
 
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Viennaslide-06872219 Venedig, Biennale 2022, Giardini, Pavillon von Korea, Yunchul Kim: Gyre // Venice, Biennale 2022, Giardini, Korean Pavillon, Yunchul Kim: Gyre
 
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Viennaslide-06872220 Venedig, Biennale 2022, Giardini, Deutscher Pavillon, Maria Eichorn: Places of Resistance // Venice, Biennale 2022, Giardini, German Pavillon, Maria Eichorn: Places of Resistance
 
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Viennaslide-06872221 Venedig, Biennale 2022, Giardini, Elefant // Venice, Biennale 2022, Giardini, Elephant
 
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Viennaslide-06872222 Venedig, Biennale 2022, Giardini, ungarischer Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage // Venice, Biennale 2022, Giardini, Hungarian Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage
 
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Viennaslide-06872223 Venedig, Biennale 2022, Giardini, ungarischer Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage // Venice, Biennale 2022, Giardini, Hungarian Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage
 
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Viennaslide-06872224 Venedig, Biennale 2022, Giardini, ungarischer Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage // Venice, Biennale 2022, Giardini, Hungarian Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage
 
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Viennaslide-06872225 Venedig, Biennale 2022, Giardini, ungarischer Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage // Venice, Biennale 2022, Giardini, Hungarian Pavillon, Zsófia Keresztes, After Dreams: I Dare to Defy the Damage
 
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Viennaslide-06872226 Venedig, Biennale 2022, Giardini, USA Pavillon, Simone Leigh: Sovereignty // Venice, Biennale 2022, Giardini, USA Pavillon, Simone Leigh: Sovereignty
 
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Viennaslide-06872227 Venedig, Biennale 2022, Giardini, USA Pavillon, Simone Leigh: Sovereignty // Venice, Biennale 2022, Giardini, USA Pavillon, Simone Leigh: Sovereignty
 
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Viennaslide-06872228 Venedig, Biennale 2022, Giardini, Österreichischer Pavillon, Invitation of the Soft Machine and Her Angry Body Parts // Venice, Biennale 2022, Giardini, Austrian Pavillon, Invitation of the Soft Machine and Her Angry Body Parts
 
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Viennaslide-06872229 Venedig, Biennale 2022, Giardini, Österreichischer Pavillon, Invitation of the Soft Machine and Her Angry Body Parts // Venice, Biennale 2022, Giardini, Austrian Pavillon, Invitation of the Soft Machine and Her Angry Body Parts
 
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Viennaslide-06872230 Venedig, Biennale 2022, Giardini, Österreichischer Pavillon, Invitation of the Soft Machine and Her Angry Body Parts // Venice, Biennale 2022, Giardini, Austrian Pavillon, Invitation of the Soft Machine and Her Angry Body Parts
 
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Viennaslide-06872231 Venedig, Biennale 2022, Giardini, Serbischer Pavillon, Walking with Water von Vladimir Nikolić // Venice, Biennale 2022, Giardini, Serbian Pavillon, Walking with Water by Vladimir Nikolić
 
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Viennaslide-06872232 Venedig, Biennale 2022, Giardini, The Milk of Dreams // Venice, Biennale 2022, Giardini, The Milk of Dreams
 
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Viennaslide-06872233 Venedig, Biennale 2022, Giardini, The Milk of Dreams // Venice, Biennale 2022, Giardini, The Milk of Dreams
 
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Viennaslide-06872234 Venedig, Biennale 2022, Giardini, The Milk of Dreams // Venice, Biennale 2022, Giardini, The Milk of Dreams
 
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Viennaslide-06872235 Venedig, Biennale 2022, Giardini, The Milk of Dreams // Venice, Biennale 2022, Giardini, The Milk of Dreams
 
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Viennaslide-06872241 Venedig, Palazzo Bembo, Wasserschaden im Eingangsbereich // Venice, Palazzo Bembo, Water Damage
 
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Viennaslide-06872242 Venedig, Palazzo Bembo // Venice, Palazzo Bembo
 
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Viennaslide-06872243 Venedig, Palazzo Bembo // Venice, Palazzo Bembo
 
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Viennaslide-06872244 Venedig, Palazzo Bembo // Venice, Palazzo Bembo
 
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Viennaslide-06872245 Venedig, Palazzo Mora // Venice, Palazzo Mora
 
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Viennaslide-06872246 Venedig, Palazzo Mora, NFTs // Venice, Palazzo Mora, NFTs
 
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Viennaslide-06872247 Venedig, Palazzo Mora, NFTs // Venice, Palazzo Mora, NFTs
 
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Viennaslide-06872250 Venedig, Santa Maria dei Carmini, Kunstmalkurs // Venice, Santa Maria dei Carmini, Painting Class
 
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Viennaslide-06872251 Venedig, Santa Maria dei Carmini, Biennale Collateral Event Kamerun // Venice, Santa Maria dei Carmini, Biennale Collateral Event Cameroon
 
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